Monday, April 23, 2012

Crankie tour photos 4/20-4/22

Middletown, CT. Drama Department at Anna's college.

Middletown, CT. Drama Department at Anna's college.

Middletown, CT. Our opening act at the Button wood tree!

Puppet workshop at the Buttonwood tree.


The Three Little Pigs at The Buttonwood Tree

Hinesburg, VT. Pete Sutherland accompanying Rose Diamond's crankies.

Anna's folks preparing wild leeks!

Beautiful Vermont

Putney, VT. At the Sandglass Theater with amazing mother daughter team Val Mindel & Emily Miller

Indonesian Shadow puppet

Matchbox crankie by Susan Reed

Marlboro, VT. At the site of Elizabeth Whitmore's house. Kathy with Tony Barrand and Carole Moody Crompton

Andy Davis and his daughter show us his crankies he makes with kids 

Brattleborough, VT. Tony's wife's stunning quilt in progress!

Wednesday, April 18, 2012

Crankie tour photos 4/17 - 4/19


Rehearsing in Baltimore.

Elizabeth, Kathy, and Anna at Jalopy show in Brooklyn.

Anna octopus and smiley Elizabeth. 

A stop on the side of the road in up state New York.

A crankie our host made!

Elizabeth packing up the crankies after a house show in upstate New York.

Crankies Take New York!

Hello everyone,

Elizabeth LaPrelle here.  I am on tour with two of the most inspiring women ever, and we have just played our first two shows!  Last night at the Jalopy Theatre and tonight at a house concert in Sprakers (upstate).

Someone on facebook requested a list of the songs we did last night, so here is our set list (minus some stories we like to tell during the show):

Thunderback (source-Kathy's Dad)
Lella Todd (crankie by Anna & Elizabeth)
Wouldn't Mind Working from Sun to Sun (source-Addie Graham)
Lone Pilgrim (Addie Graham)
Ida Red (Addie Graham)
Elizabeth Whitmore (crankie by Katherine Fahey)
The Storms Are On the Ocean (Carter Family)
Pateroller (Hobart Smith)
My Lovin Old Husband (Texas Gladden)
Cold Mountains (Texas Gladden)
The Greenwood Sidey/ The Cruel Mother (crankie by Anna & Elizabeth, song from Addie Graham)
Sister, Thou Art Mild and Lovely (Addie Graham)
Old Kimball (Texas Gladden)
The Devil's 9 Questions (crankie by Anna & Elizabeth, song from Texas Gladden)
Bobby Shaftoe (Elizabeth's Grandmothers)
Pickett's Charge (crankie by Kathy Fahey)


The two days before we drove to Brooklyn, we rehearsed like crazy trying to figure out what songs to do, what order to do it in...
It ruled.  Here's the best thing about it: seriously, really taking the time to figure out what we want to share and experimenting with just HOW to share it.  We stretched, we drank tea & coffee, we forgot meals, we did lateral thinking exercises, we improvised, we scripted, we sang & sang & sang, and we even had an impromptu dress rehearsal.  We thought deep, man.  I mean, "themes" and "narrative arc" kinda stuff.  I almost don't want to give away the themes of our show.  I hope that folks who see it will have questions in their mind.  Or at least new thoughts.

I've really been enjoying watching Anna use her small Bowie pocket knife to whittle a tiny hammer out of a stick shorter than her thumb.

I'm very grateful to Kathy's husband Neal for putting up with our total invasion of his home with our crankie chaos.  It had to be messy there for it to be good out here!

In teaching Kathy a couple of songs in a short time, we've sung a couple of them over and over again.  They're songs that mean a lot to me, and I sort of imagine each repetition as carving the words deeper and deeper into a piece of wood, perhaps the trunk of a tree.

It's late!  Good night.
we've been talking alot about the idea of home music.

these ballads, these songs, these stories: they truly come from kitchens, from porches. from people who didn't bring them to a stage, but who sang them to their children before bed.

a whole host of questions about what it means to bring them to a stage, today. but short and sweet, i guess we try to do it with honesty, and with the desire that those who listen begin to imagine this music within the web of their own lives, and their own homes.

so, i would like to tell you about a house i had the great pleasure of visiting, a few weeks back.

violet hensley's house in yellville arkansas has big, old table, in the middle of the kitchen. i stayed there for four days and by the end of each day the table was piled high.
pocketknives, little wood carvings. piles of shavings. violet's fiddle. my fiddle. betse's fiddle. a banjo. a guitar. glasses of water, the dishes from dinner. piles of old photographs, marbles, a homemade board game. a little bit of spilled cornmeal.

violet hensley is 95 years old and she plays the fiddle. she is an active spirit, a live wire. her mind, and her hands are always engaged.

the first time i visited her, she asked me if i knew how to use a pocketknife. i replied, that i knew how to whittle the end of a stick so you could use it to roast marshmallows. but that was it. what!? she exclaimed-- it was forceful, disbelieving, and she got up and found me a knife-- right away, and she got me a piece of wood and she told me to make it into a duck.

so, we sat, all day at her kitchen table, talking and whittling and by the time it was over my fingers were cramped and i had a little crude carving of a duck. her eyes not what they once were, she felt the carving with her fingers, gave it a seal of approval.

she told stories, she gave her opinions. and, every once in awhile, she would grab her fiddle and play a tune. then set it down, tell another story. tell another story, then pick up her fiddle. do you know this one? she asked, again and again. get your banjo!

there are so many beautiful moments from that visit-- but, for tonight-- i am deep in remembering the feeling, to be around one whose art is so woven into her life. fiddle is not something she sets time aside for. it's just something she does. the time is there. it is everyday, like breakfast. she tells stories and jokes and fiddle tunes.


-anna